Category Archives: anthropology

Jim Croce cover band

When I was a kid, our next door neighbors had a Hammond organ. They used to let me play it but their sheet music selection was pretty limited.

Very limited.

Let’s put it this way: if you ever form a Jim Croce cover band and need some funky organ breaks for “Time in a Bottle,” I’m your girl.

I have no idea how this post was supposed to end because I went down a rabbit hole for a while. I was linking to Jim Croce’s website and the front page link for “dinner reservations” was deeply confusing until I discovered it led to the Croce’s Restaurant site. Croce’s Restaurant is closing in December. It’s in San Diego, I bet Batty has been there.

I should really get back to lecture writing. Or watching shitty movies. Ooh, my lecture is on urban legends, so I could watch the movie Urban Legends and multitask!

Bike Couriers, Stonehenge Apocalypse & Archaeology in the Movies

Are bike messengers still a thing in the United States? Not as in, do they still exist – of course they still exist! (How else would people get weed delivered to their office in the middle of the day?)

Let me start over: I’m sure there are still courier services – What I’m wonder is if the number of bike couriers have decreased.

With the exception of Premium Rush, they’ve almost vanished from pop culture. When was the last time the “hip friend” character on a TV show was a bike courier?

If someone made a Dark Angel reboot, would the main characters still be messengers?

I started thinking about Dark Angel because it’s indirectly connected to Stonehenge Apocalypse because Supernatural‘s Jensen Ackles was in the 2nd season of Dark Angel and then a few years later landed a lead role on Supernatural, which, in the 4th season, added Misha Collins to the cast as one of the best characters ever and Misha Collins is, of course, the star of Stonehenge Apocalypse, which we’re currently watching.

So, Stonehenge Apocalypse. Not only have we seen it before, we’re re-watching it. On purpose. For pretty much no reason at all.

It’s got Misha Collins AND disaster movie physics AND adventure movie archaeology AND Stonehenge AND an apocalypse, all wrapped up in one big tortilla of terrible.

Goddamned movie archaeologists. Always doing their archaeology stuff with ancient powerful relics, trying to facilitate the apocalypse or raise an ancient god or get even more super-rich.

Luckily, movie physicists and movie astrophysicists are always standing by to save the day by preventing the power-mad, well-funded movie archaeologists from destroying the world.

There are very important run-time and narrative reasons that there’s not a lot of realism when it comes to the depiction of fieldwork, but it makes me laugh to think about a movie really with a realtime scene where a bunch of cinematic archaeologists spend 30 minutes arguing over where the the cheapest happy hour in town is and then spend the next 7 hours of storytime drinking beer and arguing about stable isotope analysis and critical theory and heritage management politics and how whoever takes the job managing Stonehenge is out of their ever-loving mind. Next, they’d spend the next 6 months of the story grant-writing and and working poor-to-moderately paying Cultural Resource Management jobs to make some cash.

Then they’d resume apocalypse facilitation in earnest in the Fall because that sounds way more fun than cleaning, labeling, cataloging, and analyzing artifacts in the lab. Plus, that’s the kind of work you leave for the grad students.

That would be significantly less dramatic and exciting than the “quest to find an ancient Egyptian temple in Maine and turn Stonehenge into an apocalyptic death ray” storyline we just saw in Stonehenge Apocalypse.

Incidentally, FWIW, the Cycle Messenger World Championships continue to happen. Plus, everyone carries messenger bags now and wears skinny jeans, so although it seems like bike messengers are less visible, bike messenger culture has its tentacles deep in fashion and is here to stay. For now, anyway.

Alligators!

As I hurtle towards the inevitable end of the semester, it’s a good time to polish up some of the drafts that have been piling up. Instant content, just add coffee.

Yes. Well.

In my Anthropological Research Design seminar this semester we’ve been, um, designing research. Specifically, ethnographic research. (As a biological anthropologist, this is not something I do often).

I knew I wanted to do something involving Floridians and alligators. I’d read Laura Ogden’s Swamplife: People, Gators, and Mangroves Entangled in the Everglades and her scholarly articles on the cultural and political constructions of nature and the concept of ecosystems but I wasn’t quite sure where to go from there. (Here’s an interview on the Anthropology and Environment Society blog with Ogden about the book – it’s fascinating).

I was flailing about on a Friday night in late February, knee-deep in a literature review, when I decided to take a brief twitter-break. That’s when I saw that uber-scienceblogger Brian Switek had tweeted this::

My fear of a world where apes evolved from men kicked into high gear and I quickly responded.

Later I discovered my Tivo, Overlord II, had been trying to give me nudges in the right direction all week:

planetapes

Amidst all this chatter, and the inevitable branching twitter conversations, I realized I was thinking too narrowly. Reading Ajay Gandhi’s ethnography, “Catch Me if You Can: Monkey capture in Delhi” was a turning point. My ideas were sound, but my theoretical model was all wrong. I don’t think that multispecies ethnography (see references at the end of the post) is really going to be The Next Big Thing, but the possible applications are intriguing.

So the moral of the story: Twitter is not always a waste of time and Tivo is your friend and it just wants to help. Also, beware the Ricardo Montalban Effect, which I still haven’t fully explained but intend to in the very near future. I thought I had an old post explaining it, but I was mistaken. I’ll fix that, but probably not until the semester is over.

In related news, Brian Switek’s new book, My Beloved Brontosaurus: On the Road with Old Bones, New Science, and Our Favorite Dinosaurs, is waiting for you to buy it. It’s pretty great.

_______________
References

Fuentes, Agustin
2010 Naturalcultural encounters in Bali: monkeys, temples, tourists, and ethnoprimatology. Cultural Anthropology 25(4):600 – 624.

Gandhi, Ajay
2012 Catch me if you can: Monkey capture in Delhi. Ethnography (13): 43-56.

Kirksey, S. Eben and Stefan Helmreich
2010 The Emergence of Multispecies Ethnography. Cultural Anthropology 25(4):545-576.

Ogden, Laura
2008 The Everglades Ecosystem and the Politics of Nature. American Anthropologist 110(1):21-32.

BloodMonkey

BloodMonkey

Speaking of apes, which we weren’t, it’s Friday night, which means it’s finally time to watch BloodMonkey. I know we promised to watch it as a double feature with Flying Monkeys, but we lied.

This movie is so Not Good we hadn’t even gotten through the title sequence before a cocktail party broke out here in the living room.

So, BloodMonkey. A bunch of sociocultural anthropology graduate students go into the jungles of Thailand. Little do they know, BloodMonkeys live in the jungles of Southeast Asia. The students traipse into the jungle to work with megalomaniacal anthropologist Conrad Hamilton, played by Fidel Castro as played by F. Murray Abraham.

Sociocultural anthropologists who cavort about in the jungle collecting new species of wildlife?

Hint: this is not what sociocultural anthropologists do.

Technically, primatologists do something sort of vaguely not really kind of like what these people might possibly be doing, if gigantic bloodsucking gorillas actually existed and biological anthropologists or primatologists or biologists or zoologists were still chasing the idea of a missing link and those researchers got enough funding to randomly fly dozens of inexperienced grad students halfway across the world just so…well, it’s not really clear why they were chosen to fly to Southeast Asia.

Wait…I know…

This large group of inexperienced grad students were flown half-way around the world to die, bloody.

Yes, it all makes more sense to me now.

Clearly, I’m sober and it’s impairing my SyFy craptacular film judgment.

Hey! While I wasn’t paying attention the grad students developed some knowledge of anatomy and physiology, sort ot, but I think that’s just so when BloodMonkey shows up they’ll know what’s killing them.

Real primatologists would be able to tell that this thing that’s killing them all isn’t a BloodMonkey at all. It’s a BloodApe. BloodApe doesn’t have the same zing, does it?

What I really want to do here is move the “tags” from the footer of each post up into the byline, just below the “categories” list, but I can’t do that while BloodMonkey leeches away my IQ, so instead I’m just cleaning up the header and some of the navigation elements over there in the far-right column. This place is a mess. I’m a terrible blogger.

We’re also eating frozen custard. Banana pudding, in honor of BloodMonkey. Not really. We’re eating banana pudding frozen custard because that was the flavor of the day at the Dairy Godmother so I got some this afternoon and stashed it in the freezer for later because it’s awesome.

BloodyMonkey? Not awesome.

Wait, what just happened? Um, I guess that’s the end of the movie. I think it’s best to just let it rest in peace. BloodMonkey was bad, but it’s wasn’t Bad. And that’s too bad, because that means it was just boring when it wasn’t annoying us with it’s representations of anthropology, primatology, and with the way it besmirched the good name of BloodApes.

We should have made this a double feature with Congo but I think Husband is smart enough not to let that happen. Watching Congo late on a Friday night runs the risk we’ll be running around the house chanting, “Amy Good Gorilla” all weekend.

That’s a terrible quality clip, but it’s midnight and my brain has just been broken by BloodMonkey and the custard is wearing off and it’s the best I could do after almost 20 seconds of youtube searching.

Popular Culture Association/American Culture Association 2013

Home again after the Popular Culture Association/American Culture Association National Conference, which was a 4 day whirlwind. Think I’m kidding about the whirlwind part? Here’s the pdf of the schedule – it’s 501 pages long.

(The conference is actually going on until 9:45 tonight but we attended 3 panels between 8 a.m. and 1 p.m. and then our brains melted. Well, I can’t speak for Husband, but I can assure you mine did. While I’m writing this, I’m watching Project Runway and I’m having trouble following the plot. Yikes).

My conference paper on the TV show Supernatural was well-received and everyone else on the panel was fascinating so I was in great company:

horror (text, media, culture): television and New Media horror

“Translating tradition: domesticating seasonal horror through television.”
Derek Johnston (panel chair)

“Beyond salt and fire: the agency of human remains in the Supernatural Universe.”
Rebecca Stone Gordon

“Control is Being taken away from You”, Marble hornets and transmedia horror.
Ralph Beliveau and Amanda Kehrberg

I should probably edit the draft of my first TED DeExtinction post so I can get that online tomorrow. I intended to post about that last week and so it concludes with the delusional statement that I’d blog from the PCAACA conference. We can see how well that worked out.