Tag Archives: galactica 1980

galactica 1980 marathon, episodes 7 & 8 blahblahblah

Eight episodes down, 2 to go. Once we finish our Galactica 1980 marathon the judge has assured us that all of the conditions of our parole will have been met and we can rejoin society.

(explanation of the 4 different Battlestar Galactica series here)

So. Last night we watched The Night the Cylons Landed, part I and II (episodes 7 and 8). There are two important pieces of information to share about this opus.

1) Wolfman Jack appears as himself.
2) Cylons look like humans.

TV Tropes has a section on celebrity guest stars that offers this serviceable explanation:

An episode of a show which departs from its usual type of plot to make the best possible use of a celebrity or major star who happens to be available, regardless of plausibility, coherence, or continuity.

If the Celebrity Star is a musician or band, they often play themselves (or a thinly veiled facsimile thereof, as on The Facts Of Life) and usually have to play one of their hit songs.

Their list of examples is only so-so, but I suspect that anyone trying to compile a more comprehensive list of celebrity guest stars from 70s television would spontaneously combust.

Sidenote: the same year he appeared in Galactica 1980, Wolfman Jack also played Reverend Billy in the movie Motel Hell. This is worth mentioning if only because it enables me to not think about Galactica 1980 for a moment.

Husband and I were both startled that there were indeed cylons who looked like humans in the old series – we both thought that the idea for humanoid cylons was introduced in the latest series.

Dr. Zee gets a lengthy scene to explain how this came about. His explanation seems a bit long and ponderous until you realize he’s just spent 4 minutes explaining what the new series has taken 4 whole seasons to get around to. Huh.

This two part opus takes place on Halloween so there can be loads of hilarity as various characters comment on the amazing costume the Centurian is wearing. Also, Dr. Zee gets to bust out some hilarious computer graphics to explain the cylon evolution (a few of which must have taken an art director days to make with their Lite Brite). Also, Wolfman Jack.

Galactica 1980 episode 6: Just like the Bad News Bears, only without the news. Or the bears.

So here we are, plodding through “Spaceball,” another fine Galactica 1980 episode. (Confused? See yesterday’s post for concise explication of the various Galactica series).

“Spaceball” is the personification of hell on earth, in that it’s a whole episode devoted to the premise that everyone loves precocious children playing baseball against a formidable opponent and winning at the last minute. In this case, it’s the Super-powered Galactica Children who need to win the big playoff game to save a baseball camp run by an earthling named William “Billy” Ayers.

The name of the team is the polecats.

Seriously.

Ayers is played by Paul Koslo, who has appeared in pretty much every cheesy 70s and 80s show ever made at least once. It’s impressive. You should click on that link and look for yourself. Go on, we’ll wait here, just be sure to come back!

Wasn’t that great? I love the fact that he even played Jesse James in that episode of the Dukes of Hazzard that’s presented as a flashback to the Old West while Uncle Jesse reads from an old a diary and all of the characters in the flashback are played by the actors who play the characters who are supposed to be those characters descendants.

See also: tropes that are only one step to the left of a full-on time travel episode.

See also: sweeps week stunts.

See also: we didn’t just jump the shark, we caught it, skinned it, ate it and wore it’s hide as a disguise so we could eat in the studio commissary without showing our faces.

So, back to Galactica 1980 – William Ayers only has one arm, it’s implied he chewed it off to escape the set of this show. Maybe I implied that. In the episode I think they explained how he lost his arm and why it ended his career, but I spaced out and missed the explanation.

Any episode with Starla and Moonstone and the other allegedly darling Galactica children makes my teeth itch.

And yet, this is also the best episode we’ve watched so far. The character of Xavier the time-traveling bad guy is being played by a different actor and he seems unclear what both his motivation and his ethnicity are supposed to be. You’ve got to watch the first 10 minutes of the episode on hulu to appreciate how hilariously bizarre this is. I swear at one point in that opening scene he seems to lapse into a Bela Lugosi impression.

We’ve learned important things from Galactica 1980, particularly this, which appears at the end of every episode:

Helpful information on the Galactica 1980 DVD

Just in case you had any questions, I guess.

Most importantly, we’ve decided that “William Ayers and the Polecats” would make an excellent band name.

At long last we find the impulse for our Galactica 1980 marathon

We realized people have Oscars-watching parties because it’s the only way to make the damned things entertaining. Poor Hugh Jackman. He tried so hard, but he was doomed by the dreadful material he had to work with. We were embarrassed for him during that opening number.

Husband and I decided it was time, time to begin the long-promised Galactica 1980 marathon.

We’d already watched 4 episodes, but that was a long time ago. Figuring we’d repressed most of what we’d seen, we broke out the DVDs and began at the beginning. We watched the first 3 episodes and then tuned back in to the Oscars to catch the last hour of awards. Compared to Galactica 1980…the awards were still dull.

Things went off the rails quickly the last time I vowed to do this whole Galactica 1980 marathon thing – you can bring yourself up to date here.

This time, with God(s of Cobol) as my witness, I will watch the whole series. And blog about it. This week. I guarantee it, or we’ll give you a full refund.

Oh – here’s some obligatory Oscars content: The best Oscars-related opinion writing was in yesterday’s Washington Post. Robin Givhan made a sensible case for dumping the ridiculous custom of letting stars hold the fashion industry hostage for alleged “good publicity.” (“Designers in the Red: The System’s Wearing Thin”)