Category Archives: anthropology

Jim Croce cover band

When I was a kid, our next door neighbors had a Hammond organ. They used to let me play it but their sheet music selection was pretty limited.

Very limited.

Let’s put it this way: if you ever form a Jim Croce cover band and need some funky organ breaks for “Time in a Bottle,” I’m your girl.

I have no idea how this post was supposed to end because I went down a rabbit hole for a while. I was linking to Jim Croce’s website and the front page link for “dinner reservations” was deeply confusing until I discovered it led to the Croce’s Restaurant site. Croce’s Restaurant is closing in December. It’s in San Diego, I bet Batty has been there.

I should really get back to lecture writing. Or watching shitty movies. Ooh, my lecture is on urban legends, so I could watch the movie Urban Legends and multitask!

Bike Couriers, Stonehenge Apocalypse & Archaeology in the Movies

Are bike messengers still a thing in the United States? Not as in, do they still exist – of course they still exist! (How else would people get weed delivered to their office in the middle of the day?)

Let me start over: I’m sure there are still courier services – What I’m wonder is if the number of bike couriers have decreased.

With the exception of Premium Rush, they’ve almost vanished from pop culture. When was the last time the “hip friend” character on a TV show was a bike courier?

If someone made a Dark Angel reboot, would the main characters still be messengers?

I started thinking about Dark Angel because it’s indirectly connected to Stonehenge Apocalypse because Supernatural‘s Jensen Ackles was in the 2nd season of Dark Angel and then a few years later landed a lead role on Supernatural, which, in the 4th season, added Misha Collins to the cast as one of the best characters ever and Misha Collins is, of course, the star of Stonehenge Apocalypse, which we’re currently watching.

So, Stonehenge Apocalypse. Not only have we seen it before, we’re re-watching it. On purpose. For pretty much no reason at all.

It’s got Misha Collins AND disaster movie physics AND adventure movie archaeology AND Stonehenge AND an apocalypse, all wrapped up in one big tortilla of terrible.

Goddamned movie archaeologists. Always doing their archaeology stuff with ancient powerful relics, trying to facilitate the apocalypse or raise an ancient god or get even more super-rich.

Luckily, movie physicists and movie astrophysicists are always standing by to save the day by preventing the power-mad, well-funded movie archaeologists from destroying the world.

There are very important run-time and narrative reasons that there’s not a lot of realism when it comes to the depiction of fieldwork, but it makes me laugh to think about a movie really with a realtime scene where a bunch of cinematic archaeologists spend 30 minutes arguing over where the the cheapest happy hour in town is and then spend the next 7 hours of storytime drinking beer and arguing about stable isotope analysis and critical theory and heritage management politics and how whoever takes the job managing Stonehenge is out of their ever-loving mind. Next, they’d spend the next 6 months of the story grant-writing and and working poor-to-moderately paying Cultural Resource Management jobs to make some cash.

Then they’d resume apocalypse facilitation in earnest in the Fall because that sounds way more fun than cleaning, labeling, cataloging, and analyzing artifacts in the lab. Plus, that’s the kind of work you leave for the grad students.

That would be significantly less dramatic and exciting than the “quest to find an ancient Egyptian temple in Maine and turn Stonehenge into an apocalyptic death ray” storyline we just saw in Stonehenge Apocalypse.

Incidentally, FWIW, the Cycle Messenger World Championships continue to happen. Plus, everyone carries messenger bags now and wears skinny jeans, so although it seems like bike messengers are less visible, bike messenger culture has its tentacles deep in fashion and is here to stay. For now, anyway.

Popular Culture Association/American Culture Association 2013

Home again after the Popular Culture Association/American Culture Association National Conference, which was a 4 day whirlwind. Think I’m kidding about the whirlwind part? Here’s the pdf of the schedule – it’s 501 pages long.

(The conference is actually going on until 9:45 tonight but we attended 3 panels between 8 a.m. and 1 p.m. and then our brains melted. Well, I can’t speak for Husband, but I can assure you mine did. While I’m writing this, I’m watching Project Runway and I’m having trouble following the plot. Yikes).

My conference paper on the TV show Supernatural was well-received and everyone else on the panel was fascinating so I was in great company:

horror (text, media, culture): television and New Media horror

“Translating tradition: domesticating seasonal horror through television.”
Derek Johnston (panel chair)

“Beyond salt and fire: the agency of human remains in the Supernatural Universe.”
Rebecca Stone Gordon

“Control is Being taken away from You”, Marble hornets and transmedia horror.
Ralph Beliveau and Amanda Kehrberg

I should probably edit the draft of my first TED DeExtinction post so I can get that online tomorrow. I intended to post about that last week and so it concludes with the delusional statement that I’d blog from the PCAACA conference. We can see how well that worked out.

Alone in the Dark

The Netflix Fairy brought us Alone in the Dark. I read the sleeve and couldn’t figure out what could possibly have compelled me to put this in our queue. Christian Slater, Tara Reid and Stephen Dorff do make an appealing trifecta of uber-badness, but that couldn’t have been the reason.

OK, there’s pop culture archaeology, too. That’s impressive, but not enough. If I get well enough to return to teaching pop culture and archaeology, I can’t imagine assigning anything with quite this much running and screaming.

It’s not the running and screaming that’s the problem. It’s how unconvincing it is. To be fair, my voice-over work only ever involved screaming. Maybe I’d be terrible at running and screaming, too. If someone would like to pay me a lot of money, I’d be happy to test this out.

Anyway.

Husband finally remembered why we wanted to see it: it’s directed by Uwe Boll. And it’s widely regarded to be his worst movie of all time.

Uwe Boll’s worst movie of all time.

Uwe Boll. The man who brought us BloodRayne. Holy crap, is BloodRayne a bad movie. That’s the the movie that one critic regarded as “not as bad as getting your eyelid caught on a nail.” The movie that did this to me.

I can’t wait.

CyberCulture

I’ve been talking with faculty in Anthropology and CompSci about developing a course in Digital Culture that I could possibly teach after I finish my Master’s Degree next year. I have to finish Comprehensive exams and complete two major projects between now and then, so I don’t want to get too excited yet….

If you were teaching (or taking) a class in cyberculture, what would you want to cover? Cyberpunk? the Digital Divide? Urban legends? Online fandoms? Gender? Privacy? What else?