I love this.
The Secret Fun Blog posts 50 great examples of the creepy & beautiful background art from the original Scooby Doo cartoon series.
Via the Comics Alliance post, “The awesomely creepy background art of scooby doo.”
I love this.
The Secret Fun Blog posts 50 great examples of the creepy & beautiful background art from the original Scooby Doo cartoon series.
Via the Comics Alliance post, “The awesomely creepy background art of scooby doo.”
There’s no end to the horrifying ethnic stereotypes in some of the early episodes of Scooby-Doo. And by “early” I mean, “the first 60 or 70 or 80 episodes.”
The combination of cringe-worthy Chinese waiter impersonations and the insane music make season 2’s “The Mystery Mask Mix-Up” a real standout. As you may recall, there was a brief period at the end of the 2nd season where every chase scene was accompanied by a nonsensical pop song. See also: I’m in Love with an Ostrich.
Since I found the chase scene musical interlude for this episode on youtube, I thought I’d share it with you:
I was hunting around for commentary on this episode when I came across a funny website about the first few seasons of the show. This note about “The Mystery Mask Mix-Up” sums up my feelings about this episode perfectly: “The smugglers have to use golden masks and carrier pigeons to communicate with each other?! How expensive is the telephone?”
Happy holidays, everyone. Now quit trying to make polite conversation with your crazy relatives and go watch some TV instead!
The Scooby Doo project is a Scooby Doo spoof of “The Blair Witch Project” from Cartoon Network – it apparently aired October 23, 1999 during a Scooby Doo marathon.
I’m surprised Cartoon Network couldn’t spring for more accurate voice talent, but it’s funny anyway.
Via Universal Horror Sounds via Batgrl.
I do a lot of things for you, my loyal readers. Other times, I do things for fun, but I claim I’m doing it for you, just to boost your self-esteem. This is one of those times.
I’ve been watching a lot of Scooby Doo. In the 2nd season, the creators started inserting pop songs into every episode. It’s the nutty lack of relevance to anything happening on screen that makes these songs so hilarious.
In “Jeepers, it’s the Creeper” the gang runs from a big green dude called The Creeper while, for no reason at all, a song about being in love with an ostrich plays.
[youtube video: Scooby Doo, Daydreamin’ (I’m in Love with an Ostrich)]
[link updated 11/13/15]
A whim one evening to watch a few episodes of Scooby Doo turned into a typically ridiculous quest to determine the original chronology of the show and to watch every episode, in order.
I don’t know what’s wrong with me sometimes.
If you don’t find this idea as exciting as I do, go to the store and buy yourself a box of BooBerry or Count Chocula. Eat a bowl or two of cereal and this project will seem like The Best Idea Ever.
We realized people have Oscars-watching parties because it’s the only way to make the damned things entertaining. Poor Hugh Jackman. He tried so hard, but he was doomed by the dreadful material he had to work with. We were embarrassed for him during that opening number.
Husband and I decided it was time, time to begin the long-promised Galactica 1980 marathon.
We’d already watched 4 episodes, but that was a long time ago. Figuring we’d repressed most of what we’d seen, we broke out the DVDs and began at the beginning. We watched the first 3 episodes and then tuned back in to the Oscars to catch the last hour of awards. Compared to Galactica 1980…the awards were still dull.
Things went off the rails quickly the last time I vowed to do this whole Galactica 1980 marathon thing – you can bring yourself up to date here.
This time, with God(s of Cobol) as my witness, I will watch the whole series. And blog about it. This week. I guarantee it, or we’ll give you a full refund.
Oh – here’s some obligatory Oscars content: The best Oscars-related opinion writing was in yesterday’s Washington Post. Robin Givhan made a sensible case for dumping the ridiculous custom of letting stars hold the fashion industry hostage for alleged “good publicity.” (“Designers in the Red: The System’s Wearing Thin”)