Tag Archives: music

Girls Rock DC Volunteer Application Deadline!

Tomorrow’s the deadline to apply to volunteer for the weeklong Girls Rock DC summer camp (Monday, August 10th – Friday August 14th, 2009). Girls Rock DC is part of a network, and you can find out more about all of the camps at the Girls Rock Camp Alliance site.

Here’s the scoop on Girls Rock DC:

Mission:

With a base in music education, Girls Rock! DC aims to create a supportive, inclusive and creative space for girls to develop their self-confidence, build community, stand up and rock out!

Following in the footsteps of girls rock camps across the United States, Girls Rock! DC was founded in October 2007 by an all volunteer collective of DC Metro Area musicians, teachers, artists and community organizers. In August 2008, over 80 volunteers built upon their diverse musical backgrounds, connections to local youth and approaches to grassroots organizing to create a week-long day camp for Washington DC area girls ages 8-18. After a very successful first year, Girls Rock! DC is excited to be organizing a second camp this August 2009!

During the week, campers receive small group instruction on electric guitar, bass, drums, keyboards, turntables or vocals, form bands, collaborate to write an original song and ROCK out the stage. Campers learn about the history of women in rock, gender and cultural identity, band merchandise and promotion, conflict resolution and other skills young women need to take over the world of rock!

The application is on the website and the first volunteer training session is coming up in June. You don’t have to be a musician or audio engineer to volunteer – they need all kinds of help and it looks like crazy fun. If you can’t commit, pass this along to your friends.

Music, music, music

I started this post Friday. I was going to write this epic post about how annoying it is that now that bands and publicists woo me with tons of free music to blog I lack the time and/or energy to write about it or blog about it. I barely get to listen to most it. But then, ironically, I didn’t have time to write the post and now I lack the energy to even try even though I’ve spent the day doing pretty much nothing but vegetate.

I did listen to music today, mostly The Oranges Band today, which reminded me that I need to call ex-Oranges Band member Dan Black because he sent me a message months ago that he thinks he actually knows the guy who’s picture was on our holiday card this year and I never got back to him.

I think it would be weird if Dan does know him, since I don’t. I know Dan, I don’t know Troy’s friend, the guy on our card. I don’t actually know Troy, either.

But I digress….

We saw The Kills at the 9:30 Thursday night. There’d been a rather ominous note on their website from VV earlier in the week:

FRIDAY, APRIL 24, 2009
hello everyone

a quick note to everyone who came to the boulder gig at the fox theatre last night….

sorry i left i the stage earlier than planned. my lungs closed and suddenly i couldn’t breathe. it happened repeatedly for the rest of the night. fits of choking. spent a good three hours at the hospital trying to stop choking. not the kind of night i had planned! thank you to all of you who were concerned.

i really appreciate it! i will be fine! x x x vv

All seemed to be well, it was an energetic show and her voice seemed none the worse for wear. (If Kate Moss was in the balcony I didn’t see her).

Last week we caught Sara Watkins. That was also a really good show, but in a totally different way, which makes sense since she makes totally different music than the Kills. It wasn’t advertised as a seated show (not that I saw) and it seemed to suck some of the life out of the crowd, which I thought was kinda unfortunate. I’ve seen other seated shows at the 9:30 that had a lively audience. When we got there we were the only ones sitting in the balcony, which was fine by us, but also a little odd.

Husband was pleased that she had Sebastian Steinberg on bass for that show – he’s one of his favorite bass players. John Paul Johns (you know, from Led Zeppelin) has played a few shows with her and he also produced the solo album she’s touring on so we were surprised by the substitution but really pleased because Steinberg is an amazing bass player.

Onward and upward with the arts

Lots of other arty things were happening during this, the first weekend of Spring – although Artomatic registration is not open yet.

I’m a bit cantankerous because I want to start recording the soundtrack for a potential installation and a major construction project sprang up 200 yards from our recording space. Pile-driving and sound recording are not the very best of friends. We have a little time, but this kind of installation requires a lot of planning and construction that can’t be done at the last minute.

Did I mention that Artomatic registration is not open yet? It’s not.

David Fogel’s 88 hosted the 4 day Forward Festival at various locations. Artery 717 opened “Private Arts” a new show of work by 40 local designers showing off the art they create after their design clients go home. Anna U Davis closed out her show at Long View Gallery. Artomatic registration did not open, although Sean Welker opened a new show at R. Coury Fine Art Gallery in Savage, Maryland. Transformer Gallery opened Fabrication of Blindness/Fabricating Rain, an intriguing looking show. There is/was a whole bunch of music stuff going on this weekend that I’m too tired to blog about, but luckily dcist has a roundup.

We were going to go to many of these things – instead we stopped at Artery 717 and said hello and then drove by BeBar for X in DC, but by then I was too tired to get out of the car – let alone go inside – so we went home. It is indeed a life glamorous and exotic.

In far more important news, the pattern for the cables on the cute little ballerina sweater from Glampyre Stefanie Japel’s Fitted Knits are totally fucked up. The sweater looked wrong because it was wrong. If I’d just looked up the errata to the pattern to begin with I would have figured out why much sooner. It’s an eyecatching cable and the mistake is centered right at breast level – you’d think someone would have caught that before the book went to print. I’m just grumbling because I don’t feel well and I hope this would be a quick and easy project, not one I had to rip out and redo repeatedly. It’s a beautiful sweater and I love her designs.

And, of course, yesterday was National Corndog Day, as you may have read in the accidentally epic meatblog post, “Life, Liberty and the Pursuit of Corndogs.” You can go read that while you wait for Artomatic registration to start – if you’re on the mailing list you’ll be the first to know when it opens.

George Clinton Parliament Funkadelic, Dan Auerbach, and Lucinda Williams walk into a bar…

…just not on the same night.

I think we’ve spent more time at the 9:30 Club in the last few days than in all of last year, total. Mind you, I was abducted by aliens (or possibly artomatic) last year, so that’s all a blur and maybe doesn’t count.

Well, whatever. We’ve been supporting live music lately and we’ve seen a bunch of really good shows.

Friday night we caught George Clinton Parliament Funkadelic. A pared down version of the band opened and then the full funk mob took the stage and played til the club threw on the house lights and threw everyone out.

As always, it was an outstanding show.

And, as always, I had nightmares about an old dude in a big diaper for days after.

Saturday night I dragged Husband to see Dan Auerbach. He enjoyed the show (whew). I figured he would, but I’m not sure he’s ever listened to the Black Keys and I knew he hadn’t listened to “Keep it Hid” – which was only released a couple of days ago. You should get “Keep it Hid”, by the way, it’s a really good album.

Auerbach played in Boston the next night and you can read the review here, it pretty much says what I would have said.

The opening band was Those Darlins, who were a very fun band out of Murfreesboro, Tennessee. They were followed by a quick set by Hacienda, who were also Auerbach’s very capable backing band.

Was this a trend this week?

Yes, yes it was. Tuesday night Lucinda Williams’ road band, Buick 6, was also her opening act. They’re quite good, plus they did an instrumental cover of Prince’s “Erotic City,” which is Husband’s favorite Prince song.

We met up with a group of friends, one of whom worships Lucinda Williams. I think Jean can die happy now because it was a good show and it sounded great and we didn’t have an obstructed view for even a moment.

There was a couple in front of us, but they stayed primly seated until the encore. Then they stood up and “danced.” They should probably have stayed seated, but I’m not one to judge. Much. It’s safe to say they really love the new album. Really really love the new album. A lot. I think “Real Love” must be “their song.”

Come to think of it, that’s probably a good thing – or at least a far better thing than having some of those early wristcuttin’ songs be your song, because I’m pretty sure that’s not the sign of a healthy relationship.

Although Williams posts her setlists on her website, the most recent shows aren’t up yet. Luckily, Dave of Sound off with Dave posted a setlist so I don’t have to try to reconstruct it. Oh, let’s face it, I wasn’t going to try, but since someone else did the work I can pretend.

People Talkin’
Ventura
Car Wheels on a Gravel Road
Circles and X’s
Pineola
Drunken Angel
Side of the Road
Everything Has Changed
Something About What Happens When We Talk
Over Time
Tears of Joy
Are You Down?
Real Love
Essence
Come On
Real Live Bleeding Fingers and Broken Guitar Strings
Honey Bee
Joy
Righteously

Encore:
Angel (J Hendrix) – solo acoustic
Little Rock Star
Long Way to the Top (AC/DC)

Thanks, Dave!

Saturday night we encountered the Human Eclipse – moments before the show started Saturday, the tallest guy in the place wedged himself in front of me – causing my view of the stage to go from “perfect and unobstructed” to this:

The view from here

We were standing on the steps of the balcony – it was pretty much impossible for the suburban lumberjack to be unaware he was crowding in front of other people when they’re all standing on a ledge.

At least Kyle Bunyon parked his ox outside. Sheesh.

We had a phenomenal view of the stage for Lucinda Williams, thanks in part to the Kennedy Center crowd perched primly on the steps, clearly terrified to stand during the show. Friday night we also had a great view of the stage and of the crowd. (I really like watching the crowd, especially at a George Clinton Show). I think it’s safe to say that Husband and I were the only ones at both of those shows.

And now, because I shouldn’t be the only one who’s haunted:

(That’s from last month, but it’s the right image and, conveniently, the right club. Not my picture, I found it on flickr).