Category Archives: pop culture

Lake Placid 3

Husband has been working a lot lately so he took the day off and we’ve planned an ambitious date/day. We’re going to watch a lot of the crap on our Tivo. We have a lot of thematic triple & quadruple features saved up: dragon, dinosaurs, and werewolves, oh my!

But first, we’re easing in with some giant CGI crocodilians while we drink our morning coffee and contemplate hitting the gym and foraging for lunch.

And whiskey.

Lake Placid was a quirky hit that starred Bill Pullman, Bridget Fonda, Oliver Platt, Brendan Gleeson, Betty White, Meredith Salenger, and Mariska Hargitay.

Lake Placid 2 was forgettable. Or, at least, I forgot it.

Lake Placid 3, however, was a special present for SyFy channel watchers.

It’s not much of a present to alligators, but popular culture rarely is.


[embedded video: trailer for Lake Placid 3

Lake Placid 3 stars 5-season Eureka alum Colin Ferguson. And as a bonus, go-to character actor Michael Ironside as the sheriff.

CGI alligators of variable size depending on the camera angle eat nubile hikers and craptacular wackiness ensues. Colin Ferguson saves the day. Lake Placid 4, aka Lake Placid: The Final Chapter goes into production, starring Elisabeth Röhm and Robert Englund.

Everybody wins.

(Except possibly people who saw Lake Placid: The Final Chapter, which was released in 2012 and looked pretty stupid. Even we didn’t watch it).

After lunch, we’ve decided it’s going to be all dinosaurs all the time. I’ll probably post about those on Tuesday. See also: whiskey.

Movie viewing mistakes you don’t make twice

Intending to watch the hilarious Happy, Texas but instead watching the not-hilarious Paris, Texas is a mistake I doubt one makes twice.

I certainly haven’t.

Ditto: thinking you’re in for an evening filled with the adorableness of Sandra Bullock (and adorable alcoholics, judging from the description) in 28 Days and accidentally finding yourself immersed in the horrors of zombies in 28 Days Later.

Haven’t made that mistake again, either.

Mistaking Under Satan’s Sun (aka Under the Sun of Satan) for Under the Tuscan Sun would probably be the most disturbing of all, but I haven’t seen either one so I’m just speculating.

Unless Under the Tuscan Sun also stars Gérard Depardieu as a self-flagellating priest. I hadn’t considered that possibility.

I’m pretty sure that’s not the case but I’m very sure I don’t wish to investigate further. Slate’s David Edelstein concluded his review of Under the Tuscan Sun with this description: “The movie is sweet but deeply suspect: It’s like Lost Horizon re-imagined by a realtor.

What the hell does that even mean?

After about 30 seconds of research I’ve realized it’s a bit less ominous than I thought, in that it turns out Lost Horizon bears no resemblance to the movie that I originally thought he was referring to, Lost Highway.

I am not to be trusted with the Netflix queue when I have a high fever.

Bike Couriers, Stonehenge Apocalypse & Archaeology in the Movies

Are bike messengers still a thing in the United States? Not as in, do they still exist – of course they still exist! (How else would people get weed delivered to their office in the middle of the day?)

Let me start over: I’m sure there are still courier services – What I’m wonder is if the number of bike couriers have decreased.

With the exception of Premium Rush, they’ve almost vanished from pop culture. When was the last time the “hip friend” character on a TV show was a bike courier?

If someone made a Dark Angel reboot, would the main characters still be messengers?

I started thinking about Dark Angel because it’s indirectly connected to Stonehenge Apocalypse because Supernatural‘s Jensen Ackles was in the 2nd season of Dark Angel and then a few years later landed a lead role on Supernatural, which, in the 4th season, added Misha Collins to the cast as one of the best characters ever and Misha Collins is, of course, the star of Stonehenge Apocalypse, which we’re currently watching.

So, Stonehenge Apocalypse. Not only have we seen it before, we’re re-watching it. On purpose. For pretty much no reason at all.

It’s got Misha Collins AND disaster movie physics AND adventure movie archaeology AND Stonehenge AND an apocalypse, all wrapped up in one big tortilla of terrible.

Goddamned movie archaeologists. Always doing their archaeology stuff with ancient powerful relics, trying to facilitate the apocalypse or raise an ancient god or get even more super-rich.

Luckily, movie physicists and movie astrophysicists are always standing by to save the day by preventing the power-mad, well-funded movie archaeologists from destroying the world.

There are very important run-time and narrative reasons that there’s not a lot of realism when it comes to the depiction of fieldwork, but it makes me laugh to think about a movie really with a realtime scene where a bunch of cinematic archaeologists spend 30 minutes arguing over where the the cheapest happy hour in town is and then spend the next 7 hours of storytime drinking beer and arguing about stable isotope analysis and critical theory and heritage management politics and how whoever takes the job managing Stonehenge is out of their ever-loving mind. Next, they’d spend the next 6 months of the story grant-writing and and working poor-to-moderately paying Cultural Resource Management jobs to make some cash.

Then they’d resume apocalypse facilitation in earnest in the Fall because that sounds way more fun than cleaning, labeling, cataloging, and analyzing artifacts in the lab. Plus, that’s the kind of work you leave for the grad students.

That would be significantly less dramatic and exciting than the “quest to find an ancient Egyptian temple in Maine and turn Stonehenge into an apocalyptic death ray” storyline we just saw in Stonehenge Apocalypse.

Incidentally, FWIW, the Cycle Messenger World Championships continue to happen. Plus, everyone carries messenger bags now and wears skinny jeans, so although it seems like bike messengers are less visible, bike messenger culture has its tentacles deep in fashion and is here to stay. For now, anyway.

Chupacabra: Dark Seas + Chupacabra vs. the Alamo

“Where in the world,” I barked, indigent, “do meerkats and chupacabras co-exist in the same habitat?”

Husband, round clear vowels disguising any impatience he may have felt, intoned, “Noooowheeeeere.”

Even before the words were out of my mouth I knew this was a dumb question and that I should stop watching Tivo’d SyFy Saturday night craptaculars and get some real work done.

Right.

Then we un-paused Chupacabra: Dark Seas (aka Chupacabra Terror) and wallowed in the hilarity.

There will be spoilers in this post, but only for those not astute enough to figure out that a movie whose ads imply it might as well be titled “Chupacabra on the Love Boat with buckets of fake blood and a guy in a rubber monster suit” is going to involve a chupacabra getting loose on a cruise ship.


[embedded: Chupacabra: Dark Seas (aka Chupacabra Terror) trailer]

Giancarlo Esposito plays a cryptozoologist transporting an animal in the cargo hold of a cruise ship. It’s a chupacabra, but don’t tell anyone! It’s a chupacabra who lives on a caribbean island with meerkats! Silly meerkats, why do you think you should only live in Africa?

And the cruise? It’s a chupacabra-themed cruise!

No. Really.


chupacabra: dark seas


Chupacabra: Dark Seas

I don’t wish to ruin it for you, but when the chupacabra breaks out of the cargo hold and starts chowing down on all the tasty passengers and crew, he doesn’t look anything like the novelty chupacabra carved vegetable centerpiece shown in that photograph.

John Rhys-Davies, as the ship’s captain, seems to be imploring the viewer to use this movie as an opportunity to forget Dragonstorm.

Alien dragons? Fat chance we’ll forget that.

Esposito plays accent roulette, mumbling through awkward dialogue as his chupacabra gets loose on the ship and mayhem ensues.

“I have trapped it before. I can trap it again!”

He says that line more than once. In the same scene.

The captain’s daughter is also the ship’s Tae Bo instructor. I’d forgotten about Tae Bo. I found this fantastic New York Times article (March 21, 1999) about Tae Bo:

A friend of mine says that Tae-Bo is the macarena of exercise: irresistible moves with a beat that anyone can do and look sort of O.K. Men and women, young and old, all ”get” Tae-Bo, because a punch is an instinctive move.

Nothing about yoga, by contrast, is instinctive. (You remember yoga, don’t you? The ”inner” workout?) Yoga is weird and painful and elitist; it made you feel like you weren’t quite a member of the club. And that awful feeling of being left out meant that you weren’t primed to receive the mystical yummies that yoga was hawking. Besides, unless you were writhing around with all your pierced buddies down at Jivamukit on Lafayette Street in Manhattan, yoga was boring.

Perhaps oneness is out. In any case, the mild aggression of Tae-Bo feels like a welcome palate cleanser.

I just looked up at the screen and someone was on fire. I have no idea who or why. I don’t think it matters, it just looked cool. The Navy Seals (who up to this point I thought were supposed to be some sort of comedy-relief coast guard auxiliary) are ineffective at stopping the chupacabra. Luckily, the captain, his daughter and his old navy buddy who happens to be on the cruise, save the day.

The captain’s daughter defeats the chupacabra with – I am not making this up – Tae Bo.

Husband proclaims, “You can’t use yoga on a chupacabra!” Which would have made a great tagline for this movie.

Then we watched Chupacabra vs the Alamo, which stars Erik Estrada as a DEA agent who does battle with….chupacabra. At the Alamo. On Cinco de Mayo. Sure, why not? The Onion A/V Club hits all the highlights so I don’t have to, although I would like to state for the record that I think the chupacabras in Alamo would be more realistic than the one in Dark Seas, if chupacabras were real.

One last thing: one of the actors in Chupacabra: Dark Seas played Amy the gorilla in Congo.

Amy good gorilla.

Good night.