Tag Archives: books + libraries

The return of Blue Ant

William Gibson’s Spook Country is out and Gibson is in town reading and signing this weekend. You know, the guy who came up with the word “cyberspace.” The guy who writes really great books like Neuromancer and Pattern Recognition and All Tomorrow’s Parties.

Neal Stephenson once gave a great interview to slashdot where he was asked, “In a fight between you and William Gibson, who would win?” I’m copying his whole response here even though it’s long, it’s question number 4 in a long interview that’s mostly not about Gibson. Not that this is really about Gibson, but it makes me laugh.

Neal:

You don’t have to settle for mere idle speculation. Let me tell you how it came out on the three occasions when we did fight.

The first time was a year or two after SNOW CRASH came out. I was doing a reading/signing at White Dwarf Books in Vancouver. Gibson stopped by to say hello and extended his hand as if to shake. But I remembered something Bruce Sterling had told me. For, at the time, Sterling and I had formed a pact to fight Gibson. Gibson had been regrown in a vat from scraps of DNA after Sterling had crashed an LNG tanker into Gibson’s Stealth pleasure barge in the Straits of Juan de Fuca. During the regeneration process, telescoping Carbonite stilettos had been incorporated into Gibson’s arms. Remembering this in the nick of time, I grabbed the signing table and flipped it up between us. Of course the Carbonite stilettos pierced it as if it were cork board, but this spoiled his aim long enough for me to whip my wakizashi out from between my shoulder blades and swing at his head. He deflected the blow with a force blast that sprained my wrist. The falling table knocked over a space heater and set fire to the store. Everyone else fled. Gibson and I dueled among blazing stacks of books for a while. Slowly I gained the upper hand, for, on defense, his Praying Mantis style was no match for my Flying Cloud technique. But I lost him behind a cloud of smoke. Then I had to get out of the place. The streets were crowded with his black-suited minions and I had to turn into a swarm of locusts and fly back to Seattle.

The second time was a few years later when Gibson came through Seattle on his IDORU tour. Between doing some drive-by signings at local bookstores, he came and devastated my quarter of the city. I had been in a trance for seven days and seven nights and was unaware of these goings-on, but he came to me in a vision and taunted me, and left a message on my cellphone. That evening he was doing a reading at Kane Hall on the University of Washington campus. Swathed in black, I climbed to the top of the hall, mesmerized his snipers, sliced a hole in the roof using a plasma cutter, let myself into the catwalks above the stage, and then leapt down upon him from forty feet above. But I had forgotten that he had once studied in the same monastery as I, and knew all of my techniques. He rolled away at the last moment. I struck only the lectern, smashing it to kindling. Snatching up one jagged shard of oak I adopted the Mountain Tiger position just as you would expect. He pulled off his wireless mike and began to whirl it around his head. From there, the fight proceeded along predictable lines. As a stalemate developed we began to resort more and more to the use of pure energy, modulated by Red Lotus incantations of the third Sung group, which eventually to the collapse of the building’s roof and the loss of eight hundred lives. But as they were only peasants, we did not care.

Our third fight occurred at the Peace Arch on the U.S./Canadian border between Seattle and Vancouver. Gibson wished to retire from that sort of lifestyle that required ceaseless training in the martial arts and sleeping outdoors under the rain. He only wished to sit in his garden brushing out novels on rice paper. But honor dictated that he must fight me for a third time first. Of course the Peace Arch did not remain standing for long. Before long my sword arm hung useless at my side. One of my psi blasts kicked up a large divot of earth and rubble, uncovering a silver metallic object, hitherto buried, that seemed to have been crafted by an industrial designer. It was a nitro-veridian device that had been buried there by Sterling. We were able to fly clear before it detonated. The blast caused a seismic rupture that split off a sizable part of Canada and created what we now know as Vancouver Island. This was the last fight between me and Gibson. For both of us, by studying certain ancient prophecies, had independently arrived at the same conclusion, namely that Sterling’s professed interest in industrial design was a mere cover for work in superweapons. Gibson and I formed a pact to fight Sterling. So far we have made little headway in seeking out his lair of brushed steel and white LEDs, because I had a dentist appointment and Gibson had to attend a writers’ conference, but keep an eye on Slashdot for any further developments.

Don’t know who any of these guys are? Here are the serviceable [tag]wikipedia[/tag] entries on Gibson and Stephenson. And, for good measure, Bruce Sterling.

The Young Adult novel that dares to ask the question, "What if you threw a blowjob party and no one came?"

The January/February 2006 issue of the Atlantic Monthly has a lengthy piece by Caitlin Flanagan titled “Are You There God? It’s Me, Monica: How nice girls got so casual about oral sex.” She’s looking at pop culture as a reflection of an alleged shift in sexual behavior by tweenagers (the middle school crowd), rather than placing blame. Or at least that seems to be her intention. She loses her way about half-way through the piece.

Early on, when she’s still lucid, she mentions a recent Young Adult novel, The Rainbow Party, by Paul Ruditis. The novel, about a bunch of high school sophomores throwing an oral sex party, is allegedly supposed to be an indictment of abstinence only education, but is apparently just bad. Howlingly bad. I haven’t actually seen the book, so I’m not certain if that’s the case or not.

Flanagan’s article starts out with a lot of promise, it appears she’s going to really tackle head-on (no pun intended) the hysteria about tween-aged girls and casual oral sex. She even wades into the racial aspects of the hysteria straight-away: Jewish girls seem to be taking the blame for this epidemic of wanton behavior.

Alas, Flanagan rambles and rants and bores the reader so much it seems she’s part of the hysteria herself, rather than a journo looking for answers or at least trying to raise good questions. She takes Doctor Phil to school, however, and for that I’m willing to forgive a lot of sins. A lot of sins. She cogently examines The Lost Children of Rockdale County, a Frontline documentry about a teen syphilis outbreak in an Atlanta suburb. The documentary created quite a stir, flames that Oprah then fueled, according to Flanagan:

Two years later Oprah invited Dr. Phil to her television show to address the topic. “There’s an oral-sex epidemic,” Oprah told the audience point-blank. Teary mothers related their horrifying stories: “A year or two ago she was playing with Barbies and collecting Beanie Babies. And then now all of a sudden she’s into casual oral sex!” Wide-eyed young girls spilled the beans on their slutty classmates, and intimated that they themselves weren’t so different. That the entire subject is ugly and fraught was underscored when Dr. Phil decided to confront a young blowjobber about the error of her ways. She was sitting in the front row next to her mother, who was apparently hoping that public humiliation on a global scale might reform her daughter.

Dr. Phil, who has the vast, impenetrable physique of a pachyderm and the calculated folksiness of a country-music promoter, employs a psychotherapeutic cloak of respectability to legitimize his many prurient obsessions. “When you’re saying ‘It’s just friends,’ let me tell you,” he raged at the poor girl, “a friend doesn’t ask you to go in the bathroom, get on your knees in a urine-splattered tile floor, and stick their penis in your mouth. That’s not what I call a friend.” (Poor Howard Stern has spent years alternately outraged and heartbroken about the FCC’s refusal to sanction women’s talk shows the way it does his morning show, and episodes like this make you realize he has a point.)

I don’t dislike Flanagan. I’m also not terribly familiar with her work, to be honest. A lot, maybe most, of her writing is about the self-involved mommy culture and it’s pretty sharp, except when it devolves into being self-involved. Then it gets unintentionally post-modern.

Nevertheless, I expected more from this article. It’s worth a read, although about half-way through I’d suggest you commence skimming so you don’t lose consciousness.

Naomi Wolf has a much more lucid and concise piece, specifically about young adult fiction, in Sunday’s New York Times Book Section.

Unfortunately for girls, these novels reproduce the dilemma they experience all the time: they are expected to compete with pornography, but can still be labeled sluts. In “Invasion of the Boy Snatchers,” the fourth novel in the “Clique” series, Lisi Harrison reproduces misogynist scenarios of other girls shaming and humiliating a girl who is deemed “slutty” — Nina, an exchange student from Spain. When Harrison writes that Nina’s “massive boobs jiggled,” you know she is doomed to the Westchester equivalent of a scarlet letter.

Though “Rainbow Party” got all the attention last year — that was the novel about oral sex in which the characters even sounded like porn stars: Hunter, Rod and Rusty — kids didn’t buy it, literally. In spite of a shiny, irresistible cover showing a row of candy-colored lipsticks, it was a book more reported about than read.

But teenagers, or their parents, do buy the bad-girls books — the “Clique,” “Gossip Girl” and “A-List” series have all sold more than a million copies. And while the tacky sex scenes in them are annoying, they aren’t really the problem. The problem is a value system in which meanness rules, parents check out, conformity is everything and stressed-out adult values are presumed to be meaningful to teenagers. The books have a kitsch quality — they package corruption with a cute overlay.

[read the entire essay.

Her focus on the abject materialism of several of the hottest new YA series is more interesting, perhaps because it seems like a unique viewpoint – most reviewers, critics and parents never see past the sex.

I have no clue how or if these books are really damaging young minds, if they reflect actual tween/teen-aged culture, if they’re just another component of the larger pop culture, or if this is just another publishing fad.

I can, however, attest to the surrealism of this young children’s CD: “My Name is Cheech the Schoolbus Driver.” Yes, that Cheech. Randomly, did you know he has his own line of hot sauces, available at thecheech.com? Now you do. But back to the CD. Be very, very careful with this thing. The songs are dementedly catchy and you’ll be singing them all day. Just trust me on that.

That's the way it is in bear country

Anyone who doubts the popularity of the Berenstain Bears amongst the toddler-crowd hasnt been hanging with the toddler crowd. Wildy, rock-star popular, those bears are. Right up there with Dr. Seuss and Curious George in the category of books I spend the most time de-drooling and recovering and reshelving.

Childrens librarianship is just like academic librarianship – the only difference being the specific titles one has to clean the saliva and peanut-butter encrusted fingerprints from. Additionally, toddlers wear diapers and don’t pee in the library. Academic and law school librarians only wish their patrons wouldn’t pee in the stacks. But I digress.

I always liked the Berenstain Bears, but even more so after learning of Charles Krauthammer’s dislike of them:

(link dead or missing)I hate the Berenstain Bears, Washington Post columnist Charles Krauthammer fumed in 1989. The raging offense of the Berenstains is the post-feminist Papa Bear, the Alan Alda of grizzlies, a wimp so passive and fumbling he makes Dagwood Bumstead look like Batman.

In 1996, Mr. Berenstain told The Post: ve gotten unkind letters complaining that we are emasculating the men in the family. The absolute truth is that Papa Bear is based on me.â

One of the Berenstains’ early editors complained that the bear family’s clothing, language and general mores were several decades out of date: s just not that way in the real world.

But that’s the way it is in Bear Country, the Berenstains replied.

I’m just genetically predisposed to like almost anything that man dislikes. I can’t help it.

Today’s Post, in a column that is, oddly enough, titled appreciation, levels quite a lot of criticism at the Bears, especially in it’s conclusion:

The larger questions about the popularity of the Berenstain Bears are more troubling: Is this what we really want from children’s books in the first place, a world filled with scares and neuroses and problems to be toughed out and solved? And if it is, aren’t the Berenstain Bears simply teaching to the test, providing a lesson to be spit back, rather than one lived and understood and embraced?

Where is the warmth, the spirit of discovery and imagination in Bear Country? Stan Berenstain taught a million lessons to children, but subtlety and plain old joy weren’t among them.

Now, even when you account for the repetition factor, which I’ll return to in a moment, it’s probably rare for any child to be raised on a strict diet of Bears books. Sure, Bear Country is a kind of freaky place, but all children’s book environments are a bit off-kilter, the enduring ones, anyway. So kids get variety, and I doubt very much that many of them are scarred from the lessons they learn from the Berenstains.

Kids love repetition. I doubt there’s anyone on the planet who doesn’t know that. But even when a kid is hooked on a specific story, you put multiple kids in the story area at the same time and they run the mommys, daddys or nannys ragged – insisting on hearing as many different stories as possible, often read as fast as possible.

It’s like watching toddler speed-dating.