Farenheit 9-11

Laura and I didn’t get to the theater to pick up our tickets in time to sit together so we had to split up. During the previews, I convinced the geezers I was sitting with to see Metallica: Some Kind of Monster. That was fun.

The guy who was sitting in front of me works for a defense contractor and was forbidden by his employer from seeing the movie. While I salute him for going anyway, I wanted to explain to him, “Dude, if you’d shut up about not being allowed to see the movie, no one around you would know you’re not allowed to see the movie.” I didn’t say anything, but I thought it a lot. I also thought a lot about taking the John Kerry bumper sticker out of my purse and adhering it to his back, but I didn’t do that, either.

There was so much applause I missed a lot of the narration – and we saw the movie in Virginia, where I am often told by Marylanders, we are all without exception intolerant, gun-toting, homophobic, rightwing, assholes. Go figure.

I thought the film was well-paced and well-constructed. Moore is really at the top of his game here – I admit I was a bit worries because I often found The Awful Truth to be sort of meandering and hit or miss, but this time he really gets it right. I’d say it’s one of the most important major releases of the year, in fact I’d say it was the most important release of the year but I think that title goes to SuperSize Me. The longstanding health implications and questions that film raises about what we’re feeding the next generation and what we’re teaching them about nutrition need to be screamed from the rooftops.

Fortunately, you don’t have to choose. You can see them both.